J.N.

Music researcher with an unhealthy passion for music and music festivals. Former studio owner, semi-functional drummer and with a fairly good collection of old analogue synthesizers from the 70's. Indie rock, post rock, electronic/industrial and drum & bass (kind of a mix, yeah?) are usual stuff in my playlists but everything that sounds good will fit in.

Staff pick the weekly’s: Week 39

Every week, the staff members of the Messed!Up Magazine team picks their favorite tracks that they’ve been listening to as of late. This week, our Staff Picks are curated by the Editor, multifaceted co-editor DJ Pappaledig and photographers Björn Vallin and Richard Bloom. Picks of the week Alkaline Trio: “Bleeding Out” ***** Circa Waves: “Old Balloons” ***** Florence + The …

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Messed!Up Beats: Week 39

Messed!Up Magazine bring the dancefloor to your homes every Saturday afternoon with floor bangers that will get you in the mood for a long club night later. Tune in our playlist every Saturday afternoon, sometimes mixed by the staff, sometimes by specially invited guest DJ’s.

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In the Spotlight: Nation of Language builds on déjà vu feelings and rejuvenated indie pop charisma on new album ‘Dance Called Memory’

The seeds of Nation of Language were planted when the label release of a second album by Ian Devaney’s onetime high-school band the Static Jacks fell through in 2013, ultimately leaving him back at his parents’ in New Jersey. His father played OMD’s “Electricity,” a song Devaney was familiar with but hadn’t heard since he was a schoolkid, in the …

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In the Spotlight: Joel Gibb’s The Hidden Cameras continues to blend queer activism and disco influences on new album ‘Bronto’

Joel Gibb formed the band in 2001, establishing a tone that espoused freedom, sexuality, and inclusiveness, dubbing it “gay church folk music.” Musically, the songs were melodic, bordering on radiant, with arrangements that utilized stacked harmonies and orchestral instruments like strings, horns, glockenspiel, and harp. Their debut, Ecce Homo — a collection of four-track demos released on Gibb’s own Evil …

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In the Spotlight: Cut Copy continues on their synthpop sound and blends it with trip hop sounds on their seventh album ‘Moments’

The band started in 2001 as a solo project by songwriter, producer, and DJ Dan Whitford, who released the single 1981 and the EP I Thought of Numbers before drafting in other members to fill out his synth- and sample-based sound. Guitarist Tim Hoey, bassist Bennett Foddy, and drummer Mitchell Scott debuted on Cut Copy’s first full-length album, Bright Like …

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