Built To Spill: Still making music sounding like it could have come out in the ’90s

Doug Martsch formed the first incarnation of Built to Spill with bassist/guitarist Brett Netson (also a member of Boise scenesters Caustic Resin) and drummer Ralf Youtz.  Built to Spill debuted on record in 1993 with Ultimate Alternative Wavers, on which Martsch billed himself as “Dug.” Afterward, Martsch moved the band over to another Seattle indie, Up Records, and revamped the rhythm section, in keeping with his plan to make Built to Spill a loose aggregation that would allow him to work with a variety of musicians. This time, he was joined by bassist Brett Nelson (not Netson, but his old cohort from Farm Days) and drummer Andy Capps (also from Farm Days, who’d joined Nelson in a group called Butterfly Train).

Accompanied by cellist John McMahon and guest spots from several ex-Treepeople, Built to Spill scored a creative breakthrough with 1994’s acclaimed There’s Nothing Wrong With Love. With the help of producer/engineer Phil Ek, who would become the band’s regular collaborator, Martsch’s fragmentary songwriting aesthetic and detailed arrangements really hit their stride, resulting in a minor gem of quirky indie guitar pop. The same year, Martsch formed a side project with Beat Happening frontman and K Records honcho Calvin Johnson, and they recorded the first of three albums as the Halo Benders. Martsch formed a new lineup of Built to Spill with former Lync rhythm section James Bertram (bass) and Dave Schneider (drums), but this incarnation existed only for a series of live gigs in America and Europe during 1995, which included a stint on the second stage of that summer’s Lollapalooza tour.

The positive response to There’s Nothing Wrong With Love – coupled with the increased exposure of Lollapalooza – helped create a buzz around Built to Spill, and before 1995 was out, Martsch inked a deal with Warner Bros. that promised a good amount of creative control. In the meantime, he and Brett Nelson reunited with Brett Netson and several other members of Caustic Resin for a collaborative (not split) EP on Up, titled Built to Spill Caustic Resin. In early 1996, K Records issued a compilation of rarities and outtakes, The Normal Years, that spanned 1993-1995 and featured work by most of the band’s lineups. Martsch then turned his attention to recording Built to Spill’s major-label debut. At first, he started working with drummer Peter Lansdowne and no bassist, but found that the chemistry was wrong for the more expansive songs he was trying to write. He brought back Brett Nelson and recruited former Spinanes drummer Scott Plouf, and re-recorded most of the album, only to have the master tapes damaged. The third re-recording was the charm, and featured guest guitar work by Brett Netson to boot. Finally released in 1997, Perfect from Now On was a set of longer, moodier songs that once again earned positive reviews, and substantially expanded the band’s growing fan base.

Tired of continually re-teaching the band’s repertoire, Martsch subsequently made Nelson and Plouf permanent members of Built to Spill. Material for their next album was, for the first time, worked out through collaborative effort in (mostly) full-band jam sessions. Despite those origins, Keep It Like a Secret emerged as the tightest batch of songs on any Built to Spill record yet, and was greeted with some of their most enthusiastic reviews to date when it appeared in 1999; it also became their first to reach the pop charts. New supporting cast member Sam Coomes – also of Quasi, formerly of Heatmiser – contributed keyboard work. In response to demand from fans, the Live album was culled from the supporting tour, featuring additional guitar work from Brett Netson and longtime band cohort Jim Roth; assembled from three different gigs by Ek, it was released in 2000.

The proper studio follow-up to Keep It Like a Secret arrived with 2001’s Ancient Melodies of the Future; critical responses ranged from enthusiasm to indifference. The following year, Martsch took a breather to release Now You Know, a solo album on which he delved into more traditional folk and blues. After a long break from releasing records, the revamped group (now a quartet comprising Martsch, Nelson, Plouf, and Roth with additional help from the guitar-playing Brett Netson) stormed back with one of the finest records of their career, 2006’s You in Reverse.

Built to Spill resumed touring just after its release, and began recording for their next album later that year, although the results came in the form of a single, 2007’s “They Got Away.” The band entered the studio once again in 2008, recording There Is No Enemy with production from Martsch and David Trumfio. The album appeared in October of 2009 and the band spent some time touring behind it. They next appeared on a tribute album to the Smiths (Please, Please, Please), covering “Reel Around the Fountain.” While in the early stages of recording their next album, Plouf and Nelson quit the band and their roadie Jason Albertini (otherwise known as a former member of Duster) joined on bass, while their live sound engineer, Steve Gere, became their drummer. The group then scrapped what had already been recorded, starting over with the new lineup and Sam Coomes co-producing with Martsch. Still with Warner Bros. after many years, the label released their eighth studio album, Untethered Moon, in early 2015. After the band finished touring behind the record. Martsch decided to overhaul the lineup. The trio of Martsch, Albertini, and Gere embarked on a West Coast tour in 2016, and in 2018 were lucky enough to serve as Daniel Johnston’s backing band for two shows. Soon after that, Martsch announced that he was shifting to a revolving bandmember set-up, adding bassists and guitarists as needed. Bassist Melanie Radford and drummer Teresa Esguerra joined the band for a tour in 2019 celebrating the 20th anniversary of Keep It Like a Secret. The next year they released Plays the Songs of Daniel Johnston, a faithful covers album recorded during rehearsals for the 2018 concerts. Having left Warner Bros. in 2017 after a long run, the album was released by Ernest Jenning Recording Co.

Today, Martsch & co are back with the first ‘real’ album in seven years when they release “When the Wind Forgets Your Name”.

 

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About J.N.

Music researcher with an unhealthy passion for music and music festivals. Former studio owner, semi-functional drummer and with a fairly good collection of old analogue synthesizers from the 70's. Indie rock, post rock, electronic/industrial and drum & bass (kind of a mix, yeah?) are usual stuff in my playlists but everything that sounds good will fit in.
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